NEVER LIKE THIS WHEN I'M NOT WITH YOU
Install Theme

jessepinkmanisdreamy asked: Hey, Arabelle. I wanted to talk with you about something because I know you're a feminist and a make up artist. I've always rejected the idea of wearing make-up because I wanted to be as natural as possible (in this behaviour my father had a great influence). So I've been carrying a washed face almost all the time. Now I'm 25 and see some signs of aging in my face. I'd like to wear make up, but I feel like cheating or lying to others. Has something like this happened to you?. Thanks and kisses!

arabellesicardi:

Nope. I have never approached makeup from the standpoint that natural is inherently more beautiful or authentic. I am staunchly #teamfake. I don’t care for the whole “beauty is an industry directed purely for the male gaze / fight the system by not wearing anything at all” boat. Nope. You can be a horrible and ugly person inside and be “beautiful just the way you are”, you can be a very untrustworthy person and be all about “au naturale”. I also think the idea of upholding naturalism as this great ethos doesn’t give space for trans people who use makeup to help them express their gender. makeup gives a lot of people agency, makeup totally helps people express their truth. a person using it to become themselves is not lying. your identity, it is an event. you become through intention and choices. starting from zero doesn’t mean you are point zero — you are more than your naked body. it is not a lie to manipulate your body through mediums in which you feel like you are becoming yourself. the whole natural/feminine association is meant to make women seem literally, actually, historically crazy. beauty has always been seen as unreasonable. this is misogynist. i do not stand for it. in reality, i really don’t give a fuck if i’m presenting “false advertising” to someone through makeup. i am constantly misread all the time anyway, as straight, as cis, as femme, as 100% white gurl. it is totally not my priority to play into people’s basic assumptions of me by not using makeup at all. it would just make people misread me at a starting point that i don’t feel i really am anymore. i use makeup to deal and negotiate myself into an identity i can survive and thrive in and this is not lying. i might be queering aesthetics, which i guess is cheating the system of tools in which i use — and so the fuck what if i am. not using beauty products doesn’t make someone inherently more morally sound than me. it just makes them poorly moisturized. 

Tonight Kristin and I pigged out on Zaxby’s and then slathered snail guts on our faces and made elderflower martinis and watched Three’s Company.

modafashioncouture:

Aganovich S/15

so in love

largecoin:

modern magpie by steven meisel, vogue italia april 2006

largecoin:

modern magpie by steven meisel, vogue italia april 2006

(via rebamaybury)

Lindsay used this image for Jessi’s shower invites and they looked extraordinary

Lindsay used this image for Jessi’s shower invites and they looked extraordinary

(Source: thecreepblog)

(Source: changdiaz, via rosievandoll)

post-punker:

Jeffrey Lee Pierce of The Gun Club, by Ann Summa

Cancer/Scorpio water baby

post-punker:

Jeffrey Lee Pierce of The Gun Club, by Ann Summa

Cancer/Scorpio water baby

blastedheath:

Omar Ba (Senegalese, b. 1977), Afrique, Pillage, Arbres, Richesses, 2014. Oil, gouache, ink and pencil on corrugated carton, 199 x 150 cm.

blastedheath:

Omar Ba (Senegalese, b. 1977), Afrique, Pillage, Arbres, Richesses, 2014. Oil, gouache, ink and pencil on corrugated carton, 199 x 150 cm.

(via anti-romanticismo)

highqualityfashion:

Lanvin SS 15

highqualityfashion:

Lanvin SS 15

waterbody:

urchin and anemone. Moss Beach CA, June 2014 / SZ3 /

this could almost be a Marilyn Minter

waterbody:

urchin and anemone. Moss Beach CA, June 2014 / SZ3 /

this could almost be a Marilyn Minter

(via rosievandoll)

oorequiemoo:

"jeux de mains"
Hand Study for artists
Photographer: Jean-Louis Igout (1837-1882)
Albumen print,
France, 1875

oorequiemoo:

"jeux de mains"

Hand Study for artists

Photographer: Jean-Louis Igout (1837-1882)

Albumen print,

France, 1875

(via witchbabyyy)

(Source: boileddove)

finally on Spotify

finally on Spotify

(Source: suicidewatch)